French 4/4 violin with Guadagnini label. Made in the renowned French violin-making center of Mirecourt in the mid-20th century, based on a Guadagnini model. A beautiful instrument for both beginning and advanced violinists. Good volume, excellent sound projection, and excellent playability. A fine instrument at a very reasonable price!
French 4/4 Mirecourt violin built in the late 19th and early 20th centuries in Mirecourt, France, based on a Guarnerius model. The label reads: "Josef Guarnerius fecit Cremonae Anno 17...". It is a typical Mirecourt violin with good volume, sound projection, perfect playability, and is in perfect condition. In short, a very good instrument for a very reasonable price.
The unlabeled 4/4 Mirecourt violin is a beautiful instrument that combines craftsmanship and quality. Violins from Mirecourt, France, are known for their rich tone and authentic appearance. This particular violin, though unlabeled, offers the opportunity to discover a classical experience without the high cost of labeled models. This makes it an attractive option for both beginning and experienced musicians seeking an authentic sound. It offers excellent playability and is made of the right woods.
This beautiful 4/4 violin from Mirecourt, bearing the L'Alsacien label, is a true treasure for both beginning and experienced violinists. Mirecourt's craftsmanship is renowned for its rich sound and refined finish. This violin offers excellent tone quality, bringing every note to life. With its authentic appearance and beautiful finish, this violin is not only an instrument but also a valuable collector's item. A fine violin with a beautiful, warm tone, excellent projection, and perfect playability.
Violin maker Georges Cunault was born in Paris on March 20, 1856, and died there in 1941. He studied under Sébastien Vuillaume and Miremont. In 1882, he establish oneself as a violin maker. He changed addresses five times in 13 years! His last address was Rue de Navarin in Paris. This violin is a beautiful instrument and bears the label "Georges Cunault - Luthier - 21, rue de Navarin, Paris" (1939). There is one well-repaired crack in the top below the lower eye of the f-hole, E-side. This does not affect the beautiful and balanced sound of the instrument in any way. It has a beautiful, balanced tone in all the strings, good volume and projection. A good instrument for both the professional musician and the advanced student and amateur.
Beautiful 4/4 violin built in the workshop of the famous violin maker in Paris Léon Bernardel (°1853 - +1931). The violin bears two labels: -"Fait sous la Direction de LEON BERNARDEL, luthier à Paris"; and - "Copie de Antonius Stradivarius Cremonensis Faciebat Anno 1714". Beautiful instrument with a beautiful sound! Excellent playability, well balanced in all strings, excellent sound projection.
Beautiful and well-sounding instrument, perfect playability, good volume and sound projection. In perfect condition. It bears the Franz Hell - Instrument Maker - Elmshorn - Schutzmarke FH label. His FH brand is on the talon (button, back). Franz Hell was born in Elmshorn on May 26, 1896. He apprenticed with E. Reinhold Schmidt and became his assistant. Hell left for America in 1921 but quickly returned to his native country. For musicians seeking a high-quality instrument, a Franz Hell violin is an excellent choice. The combination of tradition, craftsmanship, and passion makes these violins valuable assets for both professional and amateur players.
Violin labeled Nicolaus Amatus fecit in Cremona 1651. This violin was made in Czechoslovakia in the early 20th century. The back is made of a single piece of flamed maple. A beautiful violin with perfect playability, a lovely tone, and good volume. The instrument is well balanced in all strings and has excellent sound projection. The violin is in perfect condition!
This 4/4 violin was built by Jean Striebig in Mirecourt in 1946. It is a beautiful example of craftsmanship. Known for its rich tone and high playability, it is an excellent choice for both professional musicians and enthusiastic amateurs. The techniques used during this period contribute to the unique appearance and resonance that characterize these instruments. The quality of a Striebig violin is often due to the selection of wood and the traditional building process used in Mirecourt, France. The craftsmanship that goes into these instruments makes them not only functional but also valuable collector's items. Musicians who invest in a Striebig violin are choosing an instrument made with care and attention.
This violin, labeled Giuseppe Ornati, a renowned luthier from Milan, is expertly crafted. The label "Giuseppe Ornati - fece in Milano anno 1926" also bears his signature. These instruments are sought after for their exceptional sound and aesthetics. This 1926 violin is a beautiful example of his craftsmanship, with a rich tone and refined finish. Ornati's instruments are not only a joy to play but also valuable collector's items. The violin is in perfect condition. The one-piece back is made of beautifully flamed maple, as are the sides and neck with the scroll. The top is finely grained spruce. Beautifully balanced sound, excellent projection, warm tone, and perfect playability—in short, a violin for the advanced musician!
